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	<title>AtomRooms Gallery &#187; GRAFF EVOLUTIONS</title>
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	<link>http://www.atomrooms.com</link>
	<description>328 Portobello Road, W10 London</description>
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		<title>Benoit Ollive (Revert)</title>
		<link>http://www.atomrooms.com/2011/05/benoit-ollive-revert/</link>
		<comments>http://www.atomrooms.com/2011/05/benoit-ollive-revert/#comments</comments>
		<pubDate>Thu, 12 May 2011 13:36:16 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[GRAFF EVOLUTIONS]]></category>

		<guid isPermaLink="false">http://www.atomrooms.com/?p=1744</guid>
		<description><![CDATA[Born and raised in the South of France, Benoit Ollive, otherwise known as &#8220;Revert&#8221; graduated  from the Marseille School of Fine Arts with a BA in Space Design and recently completed an exchange program in 3D Design at Camberwell College of Arts. Multi-talented in printing processes, photography, typography and graffiti, at only 22 years of age [...]]]></description>
			<content:encoded><![CDATA[<p>Born and raised in the South of France, Benoit Ollive, otherwise known as &#8220;Revert&#8221; graduated  from the Marseille School of Fine Arts with a BA in Space Design and recently completed an exchange program in 3D Design at Camberwell College of Arts. Multi-talented in printing processes, photography, typography and graffiti, at only 22 years of age Benoit is one of the youngest alternative graffiti artists being shown at Atom Rooms. Architectural shapes, trains, tags and fat cap effects are mixed up on canvas with silver fill-ins and black outlines in memory of his nocturnal adventures.</p>
<p>Most recently, Benoit has curated exhibitions for Camberwell Gallery and Highbury Studios and participated in Urban Art Muralism International Graffiti Festival (Amsterdam), Standpoint Gallery (London) and Architects&#8217; Spring School of Culture (Marseille).</p>
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<p>For further information and to view works by Benoit Ollive please <a href="http://www.atomrooms.com/contacts/">contact us</a>.</p>
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		<title>Mark Lyken</title>
		<link>http://www.atomrooms.com/2011/05/mark-lyken/</link>
		<comments>http://www.atomrooms.com/2011/05/mark-lyken/#comments</comments>
		<pubDate>Wed, 11 May 2011 21:40:39 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[GRAFF EVOLUTIONS]]></category>
		<category><![CDATA[aerosol]]></category>
		<category><![CDATA[art]]></category>
		<category><![CDATA[atom]]></category>
		<category><![CDATA[atom rooms]]></category>
		<category><![CDATA[atomrooms]]></category>
		<category><![CDATA[gallery]]></category>
		<category><![CDATA[glasgow]]></category>
		<category><![CDATA[graffiti]]></category>
		<category><![CDATA[lyken love]]></category>
		<category><![CDATA[mark lyken]]></category>

		<guid isPermaLink="false">http://www.atomrooms.com/?p=1730</guid>
		<description><![CDATA[Mark Lyken lives &#38; works as an Artist &#38; Musician in Glasgow, Scotland. A notable pioneer under the name Lyken Love he was among the first to begin writing Graffiti in the 80′s in Scotland. His paintings are influenced by cellular division &#38; decay, bacterial spread &#38; meteorological phenomena through which  themes of mutation, metamorphosis [...]]]></description>
			<content:encoded><![CDATA[<p>Mark Lyken lives &amp; works as an Artist &amp; Musician in Glasgow, Scotland.</p>
<p>A notable pioneer under the name Lyken Love he was among the first to begin writing Graffiti in the 80′s in Scotland. His paintings are influenced by cellular division &amp; decay, bacterial spread &amp; meteorological phenomena through which  themes of mutation, metamorphosis &amp; redemption are explored.</p>
<p>Lyken’s layered &amp; gestural work captures turbulent events &amp; cycles along the timeline of a living cosmos.  These are worlds within worlds, chemical universes revealed at a microscopic level.  An aerial vantage point has us peering down from an artificial Kármán line, glimpsing pools of energy through gaps in the nebula.  A lurch in perspective &amp; the lense points upwards as ascending objects converge, caught either in an inexorable pull or deliberate navigation toward a point of crisis.</p>
<p>For more information or to view his works, please <a href="http://www.atomrooms.com/contacts/" target="_blank">contact us</a>.</p>
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		<title>Steve More</title>
		<link>http://www.atomrooms.com/2011/02/steve-more/</link>
		<comments>http://www.atomrooms.com/2011/02/steve-more/#comments</comments>
		<pubDate>Wed, 16 Feb 2011 17:14:17 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[GRAFF EVOLUTIONS]]></category>

		<guid isPermaLink="false">http://www.atomrooms.com/?p=1552</guid>
		<description><![CDATA[]]></description>
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		<title>Duncan  Jago</title>
		<link>http://www.atomrooms.com/2011/01/mr-jago/</link>
		<comments>http://www.atomrooms.com/2011/01/mr-jago/#comments</comments>
		<pubDate>Wed, 12 Jan 2011 23:25:16 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[GRAFF EVOLUTIONS]]></category>

		<guid isPermaLink="false">http://www.atomrooms.com/?p=1415</guid>
		<description><![CDATA[“Art enables us to find ourselves and lose ourselves at the same time.” (Thomas Merton No Man Is an Island) Since graduating from the University Of The West of England in Bristol in 1998, Duncan Jago’s work has undergone a prolonged and continuous process of abstraction. Duncan’s early, doodle-derived mark-making evolved deliberately into his current [...]]]></description>
			<content:encoded><![CDATA[<p>“Art enables us to find ourselves and lose ourselves at the same time.”<br />
(Thomas Merton No Man Is an Island)</p>
<p>Since graduating from the University Of The West of England in Bristol in 1998, Duncan Jago’s work has undergone a prolonged and continuous process of abstraction.</p>
<p>Duncan’s early, doodle-derived mark-making evolved deliberately into his current way of working. The droid-like figures of his formative, commercial illustration slowly developed in ever-deepening layers of colour and shade. These figures have now become almost entirely hidden, remaining as shadowy, compositional elements, specters lurking in the gloom behind the kaleidoscopic vapours of (what might perhaps be) humankind’s vanity and pollution. One senses a narrative, but it remains obscured, teasingly just out-of-view.</p>
<p>Most recently, Duncan has taken the idioms of spray painting to a level of sophistication rarely seen in the medium, completely uninhibited by any notions of what spray painting is, or should be. There is maturity and depth to the use of colour that hints at the mineral traces left by geological time, or the complex nebulae of deep space revealed by Hubble’s keen eye.</p>
<p>His work is the result of a stream-of-consciousness approach, where meaning presents itself through process. One might well use the phrase abstract expressionism, since form and structure have undergone a process of abstraction, whilst primarily being emotionally expressive. It is both formally organised and balanced, as well as spontaneous and visceral.</p>
<p>Duncan’s work has been exhibited extensively worldwide and is held in both public and private collections.</p>
<p><img class="size-medium wp-image-1419 alignleft" title="162641_181103888577732_100000343667228_472900_281443_n" src="http://www.atomrooms.com/cms/wp-content/uploads/2011/01/162641_181103888577732_100000343667228_472900_281443_n1-300x296.jpg" alt="" width="300" height="296" /></p>
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		<title></title>
		<link>http://www.atomrooms.com/2010/09/keithhopewell/</link>
		<comments>http://www.atomrooms.com/2010/09/keithhopewell/#comments</comments>
		<pubDate>Fri, 03 Sep 2010 10:00:08 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[GRAFF EVOLUTIONS]]></category>
		<category><![CDATA[atom rooms]]></category>
		<category><![CDATA[atomrooms]]></category>
		<category><![CDATA[exhibition]]></category>
		<category><![CDATA[graffiti]]></category>
		<category><![CDATA[keith hopewell]]></category>
		<category><![CDATA[part2ism]]></category>
		<category><![CDATA[street art]]></category>

		<guid isPermaLink="false">http://www.atomrooms.com/cms/?p=23</guid>
		<description><![CDATA[]]></description>
			<content:encoded><![CDATA[<div id="attachment_1680" class="wp-caption alignleft" style="width: 610px"><img class="size-full wp-image-1680" title="IMG_087hh0ggdfhfd" src="http://www.atomrooms.com/cms/wp-content/uploads/2010/09/IMG_087hh0ggdfhfd.jpg" alt="" width="600" height="400" /><p class="wp-caption-text">Exploration of the Letterform POA</p></div>
<div id="attachment_861" class="wp-caption alignleft" style="width: 320px"><img class="size-full wp-image-861" title="Flagskull" src="http://www.atomrooms.com/cms/wp-content/uploads/2010/09/Flagskull.jpg" alt="" width="310" height="400" /><p class="wp-caption-text">Available for sale in the gallery: &quot;Democrazy&quot; (H47&quot; x W44&quot;) mixed media on canvas POA</p></div>
<div id="attachment_860" class="wp-caption alignleft" style="width: 310px"><img class="size-full wp-image-860" title="europa1" src="http://www.atomrooms.com/cms/wp-content/uploads/2010/09/europa1.jpg" alt="" width="300" height="400" /><p class="wp-caption-text">Europa Tryptic - canvas 1 (H56&quot; x W48&quot;) SOLD</p></div>
<div id="attachment_859" class="wp-caption alignleft" style="width: 288px"><img class="size-full wp-image-859" title="europa2" src="http://www.atomrooms.com/cms/wp-content/uploads/2010/09/europa2.jpg" alt="" width="278" height="360" /><p class="wp-caption-text">Europa Tryptic - canvas 2 (H56&quot; x W48&quot;) SOLD</p></div>
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<div id="attachment_858" class="wp-caption alignleft" style="width: 304px"><img class="size-full wp-image-858" title="europa3" src="http://www.atomrooms.com/cms/wp-content/uploads/2010/09/europa3.jpg" alt="" width="294" height="400" /><p class="wp-caption-text">Europa Tryptic - canvas 3 (H56&quot; x W48&quot;) SOLD</p></div>
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